Chant as Early Music II: Chant Performance and Early Polyphony

A Workshop by Early Music Michigan

February 7, 2026 – 3–5 p.m.
First Congregational Church, Kalamazoo

Join Early Music Michigan as we continue our hands-on exploration of Gregorian Chant in “Chant as Early Music II.”

Chant represents the oldest surviving large musical repertoire of the Western world, with an enduring cultural footprint. While many people today encounter chant in movie and video game soundtracks, or even in humorous videos on social media platforms, for over a millennium chant has been (and continues to be) the ubiquitous accompaniment to the rituals of the Christian church. Over this time, it has served as a shared lexicon of melody that has informed sacred and secular music alike.

In this workshop, we will continue to explore some of the oldest manuscripts containing chant notation and use them to inform a highly nuanced performance of this remarkable music. There is a unique thrill that accompanies looking at a 1200-year-old manuscript and translating it into sound. And this won’t be a purely academic exercise—we will sing the results of our explorations together! For our second outing, we will also explore some of the earliest uses of polyphony as we sing this music together.

This workshop will focus on the historical musical content of chant instead of the theological, so all faith backgrounds are welcomed. In addition, no ability to read modern musical notation is required for this workshop, and we welcome singers of all abilities and experiences. If you can talk, you can sing. Finally, both new and repeat attendees are welcome–the content of this workshop will be different from our first one last year, and you don’t need to have attended our first workshop to attend this one. Come sing with us!


Workshop leader: Dr. Luke Conklin

Dr. Luke Conklin is Early Music Michigan’s Artistic Director. Luke Conklin is a historical performer who has worked with early music groups throughout North America, including Apollo’s Fire Baroque Orchestra, American Bach Soloists, Portland Baroque Orchestra, New York Baroque Incorporated, and the Trinity Wall Street Baroque Orchestra and Choir. In addition to his work as a performer, he is an active music educator teaching private lessons on modern and historical woodwinds as well as serving as the co-director of the Kalamazoo Junior Symphony Preparatory Winds from 2020-2024 and Woodwind Counselor at the French Woods Festival of the Performing Arts. Beginning in 2024, he will be teaching Woodwind and Brass Methods at Kalamazoo College. Luke holds a master’s degree in Chant and Ritual Song from the Irish World Academy of Music and Dance, as well as degrees in Historical Performance Practice from Case Western Reserve University and The Juilliard School.


Registration details

Registration fees

Registration fees for this workshop are pay-what-you-will, but we suggest the following fees:

Student: $20
General Admission: $35
Supporters’ Circle: $50–100
Sponsors will receive an EMM window cling, their names or a dedication added to our online list of Supporters and our online program for the workshop, and our annual newsletter.
Workshop Sponsor: $100+
Sponsors will receive an EMM window cling, sticker, their names or a dedication added to our online list of Sponsors and our online program for the workshop, and our annual newsletter. 
Group Registration: If you are associated with a choir, school program, or other group that would be interested in registering with a group rate, please contact Becky Straple-Sovers.

Registration deadline

Advance registration is open until January 31, 2026.

Registration is open until the workshop begins, and you can register on-site! Please note that attendees who register online on or after February 1, 2026 will be asked to print the workshop materials and bring them to the workshop. (If you are a late registrant and this will not be possible for you, please contact us as soon as possible.)

Workshop materials

The workshop agenda and documents will be made available to attendees ahead of time. We will have workshop materials for advance registrants, and a limited number for same-day registrants, but if you are able to, please consider helping us cut costs by printing out the materials yourself and bringing them to the workshop!

Thank you to our sponsors and supporters!

Other upcoming events

19
September2026
Hebrew Harmonies: Discovering Salamone RossiWe’ll consider the fascinating story behind Salamone Rossi’s groundbreaking work “The Songs of Solomon”, along with a taste of Rossi’s secular madrigals and canzonette, tracing how one composer bridged two musical worlds centuries ahead of his time.
1–3 p.m.First Congregational Church
Kalamazoo, MI
21
November2026
Salamone Rossi – The Songs of SolomonExplore the rich and varied output of Salamone Rossi, the Jewish-Italian composer of the late Renaissance who crossed cultural and stylistic boundaries and helped to establish the new styles of the seventeenth-century Baroque.
2 p.m.First Congregational Church
Kalamazoo, MI
9
January2027
An Introduction to L’homme Armé (workshop)A sing-along workshop on the fantastically catchy tune “L’homme Armé” (The Armed Man), which we will feature in multiple settings in our spring choral concert.
1–3 p.m.First Congregational Church
Kalamazoo, MI
TBD
Early 2027
Stay tuned for more details! Early Eighteenth Century Music from Marginalized VoicesA chamber concert featuring underrepresented voices from musical history, including the French Baroque composer Elizabeth Jacquet de la Guerre and the so-called “Black Mozart,” Joseph de Boulougne, the Cavalier de St. George’s.
TBDTBD
15
May2027
The Many Armed-Man – L’homme Armé – An Early Renaissance Mass-UpA choral concert featuring a variety of mass movements using the fourteenth-century secular chanson L’homme Armé as a cantus firmus (a pre-existing melody that forms the structural basis of a polyphonic musical composition).
2 p.m.First Congregational Church
Kalamazoo, MI

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EIN: 38-3296106